Press | Articles


VIEW PHOTOS | VIEW VIDEOS | VIEW ARTICLES | VIEW INTERVIEWS


 
Featured
How Choreographer Camille A. Brown Channels Her NYC Youth in 'Hell's Kitchen'
How Choreographer Camille A. Brown Channels Her NYC Youth in 'Hell's Kitchen'

"Being from New York, it's an amazing feeling to contribute to a show about New York," says Brown, who earned her fourth Tony nomination for her exhilarating choreography for Hell's Kitchen. "I started taking the subway when I was 13 years old because I lived in Queens and went to LaGuardia High School. Walking in the streets, I noticed how diverse New York City was. To bring that diversity to the stage—so many different personalities and energies—and to be able to pour that into the dancers' bodies feels good. I'm representing my hometown in my hometown."

5 REASONS TO SEE ALICIA KEYS' MUSICAL 'HELL'S KITCHEN' ON BROADWAY
5 REASONS TO SEE ALICIA KEYS' MUSICAL 'HELL'S KITCHEN' ON BROADWAY

“Thrilling choreography…The show features dazzling choreography from Camille A. Brown, who is known for her acclaimed work on the stage in productions like “Choir Boy,” “Once on This Island” and more. The true heartbeat of the show, Brown’s choreography takes us from scene to scene, supercharging the story with energy that impresses all the way to the last seat in the house.”

Alicia Keys and Hell's Kitchen book writer Kristoffer Diaz introduce new song 'Kaleidoscope'
Alicia Keys and Hell's Kitchen book writer Kristoffer Diaz introduce new song 'Kaleidoscope'

'"Camille is a one of a kind choreographer," adds Keys. "Her work brings so much emotion to it. I like to think of myself as an emotional writer. I love that the songs that I write tug at your heartstrings. But she's going to take every lyric, and she's going to pull something out of it that even I didn't know it was supposed to feel like that."'

The Public Theater Will Celebrate Broadway-Bound 'Hell's Kitchen' at 2024 Gala
The Public Theater Will Celebrate Broadway-Bound 'Hell's Kitchen' at 2024 Gala

‘“These four wonderful artists—Camille A. Brown, Kristoffer Diaz, Michael Greif, and Alicia Keys—are not only brilliant, exemplary New Yorkers, they have also given more to The Public Theater than words can express,” says Public Theater Artistic Director Oskar Eustis in a statement. “I am so lucky to work with these people, so deeply in awe of their talent, and so proud that they call The Public home.”’

Camille A. Brown Is Bringing '90s New York Back to Broadway in "Hell's Kitchen"
Camille A. Brown Is Bringing '90s New York Back to Broadway in "Hell's Kitchen"

“New York is not only the concrete jungle where Camille A. Brown’s dreams were made; it’s also the city where they are coming true. In 2022, the Jamaica, Queens native made history as the first Black woman to choreograph and direct a play on Broadway (for colored girls who have considered suicide / when the rainbow is enuf) in over six decades. This season, she returns to the Main Stem as choreographer for the rhythm-laced Alicia Keys musical Hell's Kitchen.”

Masterwork Arts Grants $10,000 Premier Award to Camille A. Brown & Dancers
Masterwork Arts Grants $10,000 Premier Award to Camille A. Brown & Dancers

“The Masterwork Music and Art Foundation is thrilled to announce the recipient of their newly reimagined Premier Award – Camille A. Brown & Dancers (CABD). This prestigious $10,000 grant will be dedicated to the development of a remarkable new work titled “I AM.” “I AM” promises to be a vibrant celebration of life, seamlessly merging step and traditional African dance forms. Audiences can look forward to its grand debut in the summer of 2024.”

Camille A. Brown Met Debbie Allen at 11. More Than 30 Years Later, Allen Is Still Championing Her
Camille A. Brown Met Debbie Allen at 11. More Than 30 Years Later, Allen Is Still Championing Her

“Grey’s Anatomy actor and director Debbie Allen has inspired millions of people in her 50-plus-year career, from playing no-nonsense teacher Lydia Grant on Fame to directing the landmark show A Different World to enchanting audiences through her Shondaland-produced holiday show Hot Chocolate Nutcracker. But Allen’s influence isn’t limited to the screen. Through her eponymous Debbie Allen Dance Academy, now housed in the Rhimes Performing Arts Center in Los Angeles, as well as countless workshops and courses over the years, Allen has directly impacted scores of people — among them the choreographer and director Camille A. Brown, whom Allen met when Brown took part in an audition in 1991 when Brown was just 11 years old.”

INTERVIEW WITH CAMILLE A. BROWN AND DEBBIE ALLEN
INTERVIEW WITH CAMILLE A. BROWN AND DEBBIE ALLEN

“Now the two come together again for Brown’s Southern California premiere, this time with Allen cheering Brown on from the audience. Allen, who is a Wallis board member, was excited when she heard Brown’s company had been programmed. When I inquired about her excitement, Allen spoke of the Wallis’ commitment to ‘ensur[ing] the integrity of artistic diversity and inclusivity’ in their programming and partnerships. As the Wallis prepares for a month-long “celebration of women and their art and their creativity,” Allen emphatically believes, there ‘couldn’t be a greater, more wonderful artist to bring [to the Wallis] as Camille Brown at this time.’”

Camille A. Brown And Debbie Allen’s Creative Partnership Brings ‘Ink’ To Los Angeles
Camille A. Brown And Debbie Allen’s Creative Partnership Brings ‘Ink’ To Los Angeles

“Camille A. Brown and Debbie Allen are kindred spirits, to say the least. The two award-winning dance legends have afforded countless young, Black women with invaluable opportunities, and the tools needed for success in the arts. Allen’s career in entertainment spans over five decades, establishing herself as a true pioneer in her field. In 2022, Brown became the first first Black female to be nominated for a Tony Award as both director and choreographer for a Broadway play in almost 70 years. On January 12 & 13, the iconic duo collaborated to showcase the acclaimed production, ink, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills.”

The Storytellers Who Are remaking the American Theater
The Storytellers Who Are remaking the American Theater

“…Brown, has herself famously refused the silos of the profession, directing the 2022 Broadway revival of Shange’s for colored girls, which was nominated for seven Tonys. Brown’s staging highlighted the cultural significance of movement in drama in a way that Shange, who also trained as a dancer, would no doubt have cherished.”

The Ever-Expanding Universe of Camille A. Brown
The Ever-Expanding Universe of Camille A. Brown

"Like [Debbie] Allen and [Katherine] Dunham, her trajectory is defined by a wide-ranging artistic vocabulary and a sweeping ambition to tell stories across the divide of different art forms and disciplines."

“Camille has this ability to situate a culture, a history, a vibe of Blackness into her work,” Dean Outlaw said. “There's something that's always very authentic about it. Her life would probably be easier if she went with the formulaic, repeating what has been successful in her work. But what I'm always impressed by is that her work never looks the same.” Endalyn T. Outlaw, Dean, School of Dance.

"When she looks at a work, she is looking at the time period and the social class, every notion of what it should look like. And that's why she is an amazing choreographer, because that anthropological mindset of hers can switch into gear through research.” Maleek Washington, CABD Company Dancer and frequent collaborator.

Alicia Keys Takes Her Story—And Her Signature Sound—Off-Broadway With Hell’s Kitchen
Alicia Keys Takes Her Story—And Her Signature Sound—Off-Broadway With Hell’s Kitchen

“..choreography by the prodigious Camille A. Brown...”

Camille A. Brown’s Latest Dance Challenge? To Have Fun.
Camille A. Brown’s Latest Dance Challenge? To Have Fun.

“In her trilogy, Brown addresses issues of race and identity while exploring facets of the Black experience that have been appropriated, neglected or lost. “Mr. TOL E. RAncE” (2012), which looks at minstrelsy, and “Black Girl” (2015), a joyful celebration of games, dances and chants, will be presented at the Joyce Theater Oct. 25-30. And “ink” (2017), about resilience in the Black community, will be performed at the Apollo Theater on Nov. 4 and 5.”

 

All Articles

 

ARTICLES FROM 2024

How Choreographer Camille A. Brown Channels Her NYC Youth in 'Hell's Kitchen'
By: Raven Snook
TDF
5/17/2024

5 reasons to see Alicia Keys' musical 'Hell's Kitchen' on Broadway
By: TheGrio Entertainment
The Grio
4/25/2024

Alicia Keys and Hell's Kitchen book writer Kristoffer Diaz introduce new song 'Kaleidoscope'
By: Maureen Lee Lenker
Entertainment Weekly
3/22/2024

The Public Theater Will Celebrate Broadway-Bound Hell's Kitchen at 2024 Gala
By: Logan Culwell-Block
Playbill
3/14/2024

Camille A. Brown Is Bringing '90s New York Back to Broadway in Hell's Kitchen
By: Brittani Samuel
Playbill
3/5/2024

Masterwork Arts Grants $10,000 Premier Award to Camille A. Brown & Dancers
By: Frank Cahill
Morris County Focus
1/31/2024

Camille A. Brown Met Debbie Allen at 11. More Than 30 Years Later, Allen Is Still Championing Her
By: Malcom Venable
Shondaland
1/19/2024

Interview With Camille A. Brown And Debbie Allen
By: Marlita Hill
LA Dance Chronicle
1/16/2024

Camille A. Brown And Debbie Allen’s Creative Partnership Brings ‘Ink’ To Los Angeles
By: Okla Jones
Essence
1/14/2024

ARTICLES FROM 2022-2023

The Storytellers Who Are Remaking the American Theater
By: Imani Perry
Harper's Bazaar
12/12/2023

The Ever-Expanding Universe of Camille A. Brown
By: Candice Thompson
UNCSA
10/16/2023

Alicia Keys Takes Her Story—And Her Signature Sound—Off-Broadway With Hell’s Kitchen
By: Marley Marius
Vogue
9/12/2023

Camille A. Brown’s Latest Dance Challenge? To Have Fun.
By: Gia Kourlas
The New York Times
10/20/2022

Durham artist’s portrait now permanent feature at Met Opera in NYC
By: Judith Retana
CBS 17
9/14/2022

54 Dance Programs, Festivals and More Coming This Fall
By: Margaret Fuhrer
The New York Times
9/8/2022

The Apollo Theater Announces Fall/Winter 2022 Season Featuring Camille A. Brown, Fat Joe & More
By: Chloe Rabinowitz
Broadway World
8/23/2022

On With the Show
By: Soraya Nadia McDonald
Harper's Bazaar
7/25/2022

Pioneering Camille A. Brown creates a Broadway rainbow
By: Mark Kennedy
Associated Press
5/26/2022

Tony-Nominated Director and Choreographer Camille A. Brown Has Arrived
By: Talaura Harms
Playbill
5/16/2022

CAMILLE A. BROWN MAKES HER BROADWAY DIRECTORIAL DEBUT WITH ‘FOR COLORED GIRLS’
By: Trina Mannino
All Arts
5/11/2022

The 2022 Tony nominations mark a historic shift on Broadway
By: Ruthie Fierberg
Broadway News
5/10/2022

'A Strange Loop' Nominated for 11 Tonys as Broadway Lauds Comeback
By: Michael Paulson
5/9/2022

Broadway revival of ‘for colored girls’ highlights the power of movement and monologue
By: Matthew Allen
The Grio
4/28/2022

Review: The breathtaking beauty of ‘for colored girls’
By: Brittani Samuel
Broadway News
4/21/2022

Review: 'For Colored Girls' Returns, Leading With Joy
By: Laura Collins-Hughes
The New York Times
4/20/2022

FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE/WHEN THE RAINBOW IS ENUF: ENUF, AND MORE
By: David Finkle
New York Stage Review
4/20/2022

Review | Half a century on, ‘for colored girls’ shines again
By: Matt Windman
AMNY
4/20/2022

‘For Colored Girls’: Theater Review
By: Lovia Gyarkye
The Hollywood Reporter
4/20/2022

‘For Colored Girls…’ Review: Broadway Revival of Ntozake Shange’s Riveting Work Reminds Black Women They Are Enough
By: Ayanna Prescod
Variety
4/20/2022

'for colored girls" Returns to Broadway in a Triumphant Revival
By: Helen Shaw
Vulture
4/20/2022

‘for colored girls who have considered suicide/when the rainbow is enuf’ Broadway Review: Ntozake Shange’s Groundbreaking Choreopoem Breathes Again
By: Greg Evans
Deadline
4/20/2022

Shange’s “for colored girls…” Returns Home after 46 Years, Relevant as Ever, and Still Ahead of its Time
Our Time Press
4/2/2022

The Kennedy Center Next 50
The Kennedy Center
1/21/2022

ARTICLES FROM 2020-2021

Best Dance of 2021
The New York Times
12/22/2021

Camille A. Brown Is On The Move
By: Christopher Browner
Playbill
11/3/2021

How Fire Shut Up in My Bones Brought Step to the Met
The New York Times
10/18/2021

30 Over 30: Dance Pros Who Prove Success Can Happen at Any Age
By: Madeline Schrock
Dance Magazine
10/9/2021

The Metropolitan Opera Ushers in a More Diverse Era"
Scene City
The New York Times
10/1/2021

Metropolitan Opera's Opening Night Performance of Fire Shut Up in My Bones Will Air Live in Times Square and Harlem
By: Ryan McPhee
Playbill
9/16/2021

For The First Time In 65 Years, Camille A. Brown Will Be The First Black Woman To Direct And Choreograph a Broadway Show
By: Jeryl Brunner
Forbes
8/22/2021

Camille A. Brown will direct and choreograph 'for colored girls...' on Boradway
Broadway News
8/16/2021

These Powerful Performers Prove It's Time To End Ageism in Dance
By: Sarah Parker
Observer
7/13/2021

New York City Center Announces 2021-22 Season, Including Encores! Runs of INTO THE WOODS, THE LIFE & THE TAP DANCE KID
By: Nicole Rosky
Broadway World
7/13/21

CAMILLE A. BROWN- A GLIMPSE BEHIND THE CURTAIN Next Up on MTC's Snapshot Series
By: Chloe Rabinowitz
Braodway World
5/10/2021

Broadway Dancers and Choreographers Recall How Jacques D'Amboise Changed Musical Theatre Dance
By: Ruthie Fierberg
Playbill
5/3/2021

Q&A with Camille A. Brown, Founder and Artistic Director of Camille A. Brown & Dancers
By: Karen Campbell
The Christian Science Monitor
4/13/2021

ANGRY, RAUCOUS AND SHAMELESSLY GORGEOUS
Spotlight On Plays
3/30/2021

10 Incredible Women On What Brings Them Strength, Positivity & Hope
net-a-porter
2/1/2021

Camille A. Brown Honored with Distinguished Artist Award by International Society for the Performing Arts & Receives Andrew W. Mellon Award
By: A. A. Cristi
Broadway World
1/15/2021

In the News: Camille A. Brown and Lin-Manuel Miranda Receive Special Honors, More
By: Talaura Harms
Playbill
1/15/2021

Meet the 2020 Dance Magazine Award Honorees
By: Jennifer Stahl
Dance Magazine
12/7/2020

Dance Magazine Award Honoree: Camille A. Brown
By: Eva Yaa Asantewaa
Dance Magazine
12/4/2020

Self-Care as a Revolutionary Act, By Camille A. Brown
By: Camille A. Brown
Black Theatre Commons
11/2/2020

Kamilah Forbes, Camille A. Brown, Keith Josef Adkins and More Join A CALL FOR REVOLUTIONARY THEATRE 2020
By: Chloe Rabinowitz
Broadway World
10/13/2020

Variety to Celebrate Broadway to Watch of 2020
By: Gordon Cox
Variety
9/23/2020

The School Camille A. Brown Built
By: Salamishah Tillet
The New York Times
9/13/2020

Watch Chloe Davis Pay Tribute to Camille A. Brown, Debbie Allen, George Faison, and More Black Choreographers
By: Dan Meyer
Playbill
7/31/2020

Michael R. Jackson, Kenny Leon, Camille A. Brown and More Take Home 2020 Obie Awards!
By: A. A. Cristi
Broadway World
7/14/2020

Camille A. Brown Leads the 2020 Lortel Award Chroeography Noms
By: Michael Mahany
New York City Dance News and Culture
4/22/2020

Camille A. Brown & Dancers in Celebrity Series Debut
By: Susan Saccoccia
The Bay State Banner
3/12/2020

Celebrating Black History Month: Camille A. Brown Honors Three Monumental Black Female Choreographers
By: Michael Appler
Broadway Buzz
2/12/2020

Tony-Nominated Choreographer Camille A. Brown Reflects on Her Approach to Porgy and Bess
By: Christopher Browner
Playbill
1/8/2020

ARTICLES FROM 2018-2019

Best Dance of 2019
By: Ayodele Casel and Arturo O'Farrill
The New York Times
12/6/2019

CAMILLE A. BROWN and DANCERS In "Mr. TOL E. RAncE"
By: Gus Solomons Jr.
Solomons Says
11/12/2019

Camille A. Brown & Dancers' 'Mr. TOL E. RAncE': Dance reflecting hope in the face of adversity
By: Kathryn Boland
Dance Informa
11/10/2019

'For Colored Girls' Is A Choreopoem. What's A Choreopoem?
By: Brian Seibert
The New York Times
11/9/2019

A Politics of Tenderness: Camille A. Brown and Dancers "BLACK GIRL: Linguistic Play"
By: Jasmine Elizabeth Johnson
The Black Scholar
11/7/2019

Keeping Up With Choreographer Camille A. Brown
By: Kristen Tauer
WWD
9/24/2019

Camille A. Brown choreographs Met Opera's 'Porgy & Bess'
By: Zita Allen
Amsterdam News
9/19/2019

Choreographer Camille A. Brown Brought the Dance to 'Choir Boy' and Representation to Broadway
By: Greg Evans
Deadline
6/6/2019

The First Black Woman Choreographer Nominated for a Tony in Over Two Decades: Camille A. Brown
By:Dr. Brittany Chambers
Forbes
6/3/2019

Tony Award Nominee Camille A. Brown Shares Five Musical Numbers that Inspire & Influence Her as a Choreographer
By: Josh Ferri
Broadway Box
5/29/2019

Choreographer Camille A. Brown Reveals How Her Life-Threatening Health Battle Inspired Her Work On 'Choir Boy'
By: Ali Stagnitta
Hollywood Life
5/29/2019

25 Days of Tonys: Choir Boy's Camille A. Brown
By: Ruthie Fierberg
Playbill
5/19/2019

5 Reasons You Must See Toni Stone This Baseball & Theatre Season
Theater Mania
5/2/2019

Camille A. Brown Receives Tony Award Nomination
By: Jackson McHenry
Vulture
4/30/2019

'Ink': Celebration of African-American dance makes its Middle East debut
By: Saeed Saeed
The National
4/25/19

These dancers hope to leave a lasting impression
By: Rachael Perrett
Abu Dhabi World
4/17/19

And still I rise: Camille A. Brown writes a new narrative of blackness with “ink”
By: Theresa Ruth Howard
FJORD
3/6/19

Dance Work ‘Ink’ Explores Black Life And Black Identity At August Wilson Cultural Center
By: Steve Sucato
Pittsburgh Current
3/5/19

Camille A. Brown & Dancers rewrite the Black narrative with ink
By: Amanda Waltz
Pittsburgh City Paper
3/5/19

Camille A. Brown & Dancers mesmerized audiences and schoolchildren across Southeast Michigan during their January residency.
By: UMS Lobby
University of Michigan
2/14/19

Play Without Words
By: Marina Harss
DanceTabs
2/11/19

Review: Camille A. Brown’s Rousing and Incisive ‘ink’
By: Siobhan Burke
The New York Times
2/6/19

Camille A. Brown's superheroes write their names in "ink"
By: Eva Yaa Asantewaa
InfiniteBody
2/6/19

From Broadway to The Joyce: Camille A. Brown is Leading the Way
By: Kristyn Burtt
Dance Network
1/30/19

Choir Boy– Joyous
By: Sandi Durell
Theater Pizzazz
1/11/19

Choir Boy review. Broadway newcomers in Tarrell Alvin McCraney’s powerful, fresh coming-of-age play
By: Jonathan Mandell
DC Theatre Scene
1/10/19

Watch Oscar Winner Tarell Alvin McCraney and the Company of His Choir Boy Talk Opening Night on Broadway
By: Ruthie Fierberg
PlayBill
1/9/19

Choir Boy
By: Dan Rubins
The Easy
1/9/19

Review: ‘Choir Boy’ vibrates with emotion, moves with lyrical dialogue
By: Elizabeth Bradley
Broadway News
1/8/19

Shinning Stars
By: Riki Altman-Yee
Modern Luxury Miami
1/2019

Camille A. Brown Begins Her Duke Performances Trilogy with a Five-Star Ink
By: Byron Woods
Indy Week
11/16/18

Illuminating the Invisible: An interview with Dancer/Choreographer Camille A. Brown
By: Kamilah Forbes
SDC
10/9/18

Girl Power
By: Cheryl Callon
TheaterJones
8/26/18

Our Five Favorite Things About Jesus Christ Superstar Live
By: Michael Mahany
Dance Network
4/3/2018

NBC’s Jesus Christ Superstar Set a New Standard for Live Musicals
By: Matt Zoller Seitz
Vulture
4/2/18

Even without a resurrection, John Legend rises in NBC’s electrifying Jesus Christ Superstar Live
By: Caroline Siede
TV/AV Club
4/2/18

Jesus, Imma Let You Finish, but Judas Had the Best Performance in Jesus Christ Superstar Live!
By: Danielle Young
The Grapevine
4/2/18

What's the Buzz About NBC's Jesus Christ Superstar Live in Concert?
By: Hayley Levitt
TheaterMania
4/2/18

The big names of NBC's 'Jesus Christ Superstar' were eclipsed
By: Matthew J. Palm
Orlando Sentinel
4/1/18

Camille A. Brown develops vocabulary of meaningful gestures in ‘Ink’
By: Robert Johnson
NJArts.net
2/3/18

Choreographer Camille A. Brown is free to nae nae and bop and juba around the country
By: Soraya Nadia McDonald
The Undefeated
2/2/18

A Storytelling Choreographer Who Listens to Her Audience
By: Brian Seibert
New York Times
1/26/18

Meet the Choreographer Bringing African American Dance to Center Stage
By: Rebecca Milzoff
Departures Magazine
1/9/18

ARTICLES FROM 2015-2017

Camille A. Brown & Dancers BLACK GIRL: Linguistic Play
By: Jo Tomalin
For All Events
12/11/17

‘Black Girl’ at Berkeley full of play and great dance
By: Allan Ulrich
SF Gate
12/11/17

Camille A. Brown & Dancers trip the childhood fantastic
By: Jaime Robles
Repeat Performances
12/9/17

Review: ‘ink’ at The Kennedy Center Eisenhower Theater
By: Lisa Traiger
DC Metro Theater Arts
12/4/17

Dance fights stereotypes
By: Claudia Bauer
San Francisco Chronicle
12/3/17

Camille A. Brown & Dancers: ink
By: Carmel Morgan
Critical Dance
12/2/17

She’s Making This ‘Island’ Authentic
By: Lauren Kay
Theatre Development Fund
12/1/17

Camille A. Brown’s BLACK GIRL: Linguistic Play Has Bay-Area Premiere
By: Lou Fancher
San Francisco Classical Voice
12/1/17

Camille A. Brown & Dancers celebrate Black girlhood, social dance in upcoming performances
By: Katie O’Connor
The Daily Californian
11/27/17

Review: Camille A. Brown & Dancers dazzling at Jacob’s Pillow
By: Ken Ross
Mass Live
8/11/17

Play’s the thing in triumphant ‘BLACK GIRL’ at Jacob’s Pillow
By: Janine Parker
Boston Globe
8/11/17

Camille Brown’s ‘BLACK GIRL Linguistic Play’ at Jacob’s Pillow, dynamic exploration of Black female identity
By: Hannah Van Sickle
The Berkshire Edge
8/10/17

The Mask of Survival: Black Performance in Dance
By: Camille A. Brown
The Offing
7/27/17

The Art and Artistry of Double Dutch
By: Gia Kourlas
New York Times
7/25/17

Dancing to the Beat of a Hard History
By: Vivian Ewing
The Vineyard Gazette
7/20/17

Camille A. Brown Stomps Down Stereotypes in Kirsten Childs’s New Musical
By: Pete Hempstead
Theater Mania
6/24/17

Choreographer Camille Brown explores black women’s identity in two performances
MV Times
7/11/17

Camille Brown’s BLACK GIRL: Linguistic Play Is a Captivating Hour of Dance, Beats, and Chants
By: Katy Koop
Triangle Arts & Entertainment
3/9/17

Camille A. Brown Dance Company performs tonight at the Ford Center
By: Sarah Smith
The Daily Mississippian
3/2/17

Students ‘battle’ in dance
By: R. Michael Semple
Tribune Chronicle
2/27/17

Black history, culture told through dance
By: Hayley Benton
Citizen Times
2/2/17

Choreographer Camille A. Brown: The Body Speaks
By: Latoya Cross
Ebony
11/14/16

Choreographer Camille A. Brown asks: ‘What is so uncomfortable about a black girl playing?’
By: Nim Wunnan
Organ Arts Watch
10/14/16

BWW Dance Review: BLACK GIRL: Linguistic Play
By: Jennifer Fried
BroadwayWorld.com
7/25/16

Review: Mourning in Tap Shoes at Jacob’s Pillow
By: Siobhan Burke
New York Times
7/8/16

Camille A. Brown: A Choreographer Hitting Her Stride
By: Darralynn Hutson
Black Enterprise
5/20/16

Where Hamilton Meets Princess Grace: Prince Albert Honors Stars Leslie Odom Jr. and Camille A. Brown
By: Sara Hammel
People Magazine
4/26/16

How Camille A. Brown Uses Theater to Capture Black Girl Joy
By: Brianna Patterson
The Culture: For Harriet
4/22/16

Jacob’s Pillow Dance to Honor Camille A. Brown
By: Joshua Barone
New York Times
3/22/16

Dance review: ‘Black Girl’ profound and moving
By: Susan L. Pena
Reading Eagle
2/27/16

RACC’s Miller Center Presents Dancer and Choreographer Camille A. Brown
By: BCTV.org
2/23/16

Multistyled Choreographer Camille A. Brown Makes Miami Debut with BLACK GIRL: Linguistic Play
By: Catherine Hollingsworth
Miami New Times
2/19/16

We inspire marginalized young women to express black girlhood
By: Thelma Campbell
Miami Herald
2/18/16

Students Rediscover Roots Through African Dance, Expression
By: Marybel Rodriguez
CBS Miami
2/17/16

Dance work in Miami shows a new vision of African-American girls
By: Jordan Levin
Miami Herald
2/16/16

Aisle View: ‘Honey in the Honeycomb’
By: Steven Suskin
Huffington Post
2/12/16

‘BLACK GIRL: Linguistic Play’ explores why Black lives matter
By: Gillian Jakab
The Michigan Daily
2/11/16

Cabin in the Sky Review: jazzy, corny all-black musical restored at City Center
By: Jonathan Mandell
DC Theaterscene
2/11/16

Camille A. Brown
By: Caryn Cooper
DanceTalks
12/28/15

Unleashing the Rhythms of Childhood
By: Katherine Bergstrom
Point of Contact
10/8/15

Reflecting on the Black girl experience
By: Tony Fraser
Trinidad & Tobago Guardian
9/28/15

Camille A. Brown’s BLACK GIRL: Linguistic Play presented at The Joyce Theater
By: Theresa Ruth Howard
My Body My Image
9/27/15

BWW Review: A Powerful Evening with CAMILLE A. BROWN & DANCERS
By: Caryn Cooper
BWW Dance World
9/25/15

Getting to See Camille A. Brown’s Opening Night at The Joyce
By: Rachel Rizzuto
Dance Teacher
9/24/15

A Mirror in the Sky: Camille A. Brown’s Black Girl: Linguistic Play
By: Aimee Cox
The Feminist Wire
9/23/15

Review: In a New Work, Camille A. Brown Plays with Empowerment
By: Gia Kourlas
New York Times
9/23/15

Black Girlhood Takes Center Stage In A Work That's Serious About 'Play'
By: Neda Ulaby
NPR
9/22/15

A Dance Dedicated to the Lives of Black Girls
By: Lauren Kay
Theatre Development Fund
9/15/15

Camille A. Brown & Dancers: BLACK GIRL
By: Eva Yaa Asantewaa
Time Out NY
9/14/15

ARTICLES FROM 2014 AND BEFORE

One Brave Black Girl
By: Becca Weber
Thinking Dance
12/11/14

Black Girl
By: Nicole Bindler
Thinking Dance
12/11/14

Camille A. Brown Innovates
By: Mariama Ndiaye
The Williams Record
11/12/14

DANCECleveland, collaborator are 2014 Joyce Awards recipients
By: Scott Suttell
Dance Cleveland
1/29/14

‘Mr. TOL E. RAncE’ brings it all
By: Susan Broili
The Herald Sun
7/14/13

Music, story-telling drive look at race and tolerance
By: Susan Broili
The Herald Sun
7/8/13

Camille A. Brown’s Gripping Dance of Racial Stereotypes
By: Nim Wunnan
Oregon Arts Watch
12/8/12

A Dance for Tolerance
By: Jenna Lechner
The Portland Mercury
12/8/12

Finding the Power – IABD
By: Charmaine Warren
Dance Magazine
12/21/09

PHILADANCO’s “New Faces” mixes old and new faces
By: Lewis Whittington
Edge Media Network
4/30/09

Alvin Ailey takes a step back in time
By: Patrick Huguenin
Daily News
5/30/08

Building succcess, step by step
By: Robert Johnson
Star Ledger Entertainment
8/2/07