“Taking on the legacy of original Gypsy choreographer Jerome Robbins is no easy feat, but Camille A. Brown is up to the task — she's been nominated for four Tony Awards…Brown combines her musical theatre expertise with her knowledge of African American dance traditions for this season’s Gypsy revival, which stars Black actors in leading roles for the first time.”
“Brown is a four-time Tony nominee whose choreography is currently represented on Broadway in both the Alicia Keys musical Hell's Kitchen and George C. Wolfe's revival of Gypsy—the first Broadway production of Gypsy that reimagines Jerome Robbins' iconic original choreography. Brown earned her first Tony nomination in 2019 for her choreography for the Tarell Alvin McCraney play Choir Boy, and in 2022, with the Broadway revival of for colored girls..., she became the first Black woman to direct and choreograph a Broadway play since 1955, earning Tony nominations for both roles.”
“Brown is a four time Tony-nominated choreographer and director known for her innovative fusion of African American dance traditions with various contemporary performance styles. Her groundbreaking choreography for Choir Boy, Once on This Island, Hell's Kitchen, and the current Gypsy revival has been highly acclaimed. In 2022, she made her debut as a director-choreographer with for colored girls who have considered suicide/when the rainbow is enuf, which netted seven Tony nominations and significant praise. In 2018, Brown created a community engagement platform, Every Body Move (EBM) to cultivate creativity through workshops, summer intensives, artistic encounters, educational experiences, public actions, and celebrations for people of diverse abilities, identities, and ages.”
“These days, many people know Camille A. Brown from the worlds of theater and opera, where she has become a frequent collaborator on high-profile projects. (She choreographed two hit shows now on Broadway, “Gypsy” and “Hell’s Kitchen.”) But it’s her work with her company, Camille A. Brown & Dancers, that brings us closest to her essence as an artist, showing us who she is, what moves her.
That has never been more clearly or piercingly expressed than in her latest dance, “I AM,” which had its New York City premiere at the Joyce Theater on Wednesday.”
Outstanding Short Form Documentary (Film)
“Camille A. Brown: Giant Steps” (American Masters and Firelight Media)
"Brown noted. 'It’s her taking the space.' Later in the show, Mama Rose takes the space in her own way, belting her showstopping cri de coeur 'Rose’s Turn.' 'One story is told through song, and one is told through dance,'"
“AAFCA also recognized Black women behind the scenes with the “Salute to Excellence Award,” honoring choreographer Camille A. Brown and hair designer Nikiya Mathis for their contributions to Broadway. Brown has choreographed numerous productions and her work on Alicia Keys’s musical Hell’s Kitchen earned her a Drama League Award, a Chita Rivera Award, and her fourth Tony Award nomination in 2023.”
“..Brown has become one of the most visible figures in contemporary dance… she, like Barnes and Casel, is working hard to preserve the traditions of Black dance. “I believe it is always part of me,” Brown said. “It is important to understand it, to bring it into the present and move it into the future.”
“Set to live music, Brown’s choreography seamlessly unites various styles of the African diaspora, fusing and contrasting the intricate footwork and curving shapes of Afro-Caribbean dance, the irresistible rhythms of step dancing and body percussion, and the fluidity and daring of hip hop and street dance. All of it is infused with passion and persistence.”
"Camille A. Brown has enjoyed so many successes in such big arenas that, in a highlight such as this, one can only tick them off: for the Alicia Keys jukebox-cum-memoir musical Hell’s Kitchen, a Tony nomination for best choreographer… for the glorious revival of Ntozake Shange’s for colored girls who have considered suicide/when the rainbow is enuf, Tony nominations for best choreography and best direction; for Terence Blanchard’s Fire Shut Up in My Bones, the breaking of the Met’s persistent color barrier, as its first Black director. I could go on. It’s surprising and heartening, then, that Brown hasn’t abandoned the concert stage or her ensemble. Expect her usual ebullient gestural language, which speaks for the community in the individual and reveals that individual to the community and to us. That is Brown’s superpower"
"Brown observed, 'If you are trying to create a world of community on stage, that has to happen before you get on stage,' adding of 'I AM,' 'you see, a community of individuals functioning together.'”
“Director, choreographer and dancer Camille A. Brown received her fourth Tony Award nomination earlier this year, her third for Best Choreography for her work on the musical Hell’s Kitchen. Brown discussed the nomination, working with the talented cast, and her inspirations.”
“Did you know that Camille A. Brown has choreographed five Broadway shows (soon to be six with the 2024 revival of Gypsy) and has earned four Tony nominations for her work? This season, it's for making Hell's Kitchen move.”
All Articles
ARTICLES FROM 2024-2025
12 women to watch on Broadway this season
New York Theatre Guide
By: Amelia Merrill
3/7/2025
Black History Month Spotlight: Gypsy and Hell's Kitchen Choreographer Camille A. Brown
Broadway.com
2/13/2025
28 Black Theatre Makers Driving Change
By: Margaret Hall
Playbill
2/13/2025
Review: Getting to the Essence of Camille A. Brown’s Artistry
By: Siobhan Burke
The New York Times
2/6/2025
NAACP Image Awards: Ayo Edebiri, Keke Palmer, GloRilla, ‘The Piano Lesson’ and ‘Fight Night’ Lead Nominations
By: Angelique Jackson
Variety
1/7/2025
Helping “Gypsy” ’s Strippers Take It All Off Anew
By: Henry Alford
The New York Post
11/18/2024
Black Talent Honored At African American Film Critics Association’s Third Annual ‘AAFCA Goes To Broadway’ Luncheon
By: Ann Brown
Black Enterprise
10/21/2024
Keeping the Spirit of Harlem Dance Alive. Meet three women who are celebrating, and remixing, Black dance.
By: Imani Perry
The New York Times
9/3/2024
Dance review: Camille A. Brown's passionate 'I Am' at Jacob's Pillow
By: Tresca Weinstein
Times Union
8/1/2024
Air Mail News: The Arts Intel Report
By: Apollinaire Scherr
Air Mail News
7/13/24
Camille A. Brown, a longtime Jacob’s Pillow star, returns to present world premiere of ‘I AM’
By: Sarah Knight
The Boston Globe
7/12/2024
Camille A. Brown thrilled about Tony Award nomination for choreography
By: Derrel Johnson
rollingout
6/13/2024
Video: How Camille A. Brown Brought Her Movement Language to HELL'S KITCHEN
By: Joey Mervis
Broadway World
6/1/2024
How Choreographer Camille A. Brown Channels Her NYC Youth in 'Hell's Kitchen'
By: Raven Snook
TDF
5/17/2024
5 reasons to see Alicia Keys' musical 'Hell's Kitchen' on Broadway
By: TheGrio Entertainment
The Grio
4/25/2024
Alicia Keys and Hell's Kitchen book writer Kristoffer Diaz introduce new song 'Kaleidoscope'
By: Maureen Lee Lenker
Entertainment Weekly
3/22/2024
The Public Theater Will Celebrate Broadway-Bound Hell's Kitchen at 2024 Gala
By: Logan Culwell-Block
Playbill
3/14/2024
Camille A. Brown Is Bringing '90s New York Back to Broadway in Hell's Kitchen
By: Brittani Samuel
Playbill
3/5/2024
Masterwork Arts Grants $10,000 Premier Award to Camille A. Brown & Dancers
By: Frank Cahill
Morris County Focus
1/31/2024
Camille A. Brown Met Debbie Allen at 11. More Than 30 Years Later, Allen Is Still Championing Her
By: Malcom Venable
Shondaland
1/19/2024
Interview With Camille A. Brown And Debbie Allen
By: Marlita Hill
LA Dance Chronicle
1/16/2024
Camille A. Brown And Debbie Allen’s Creative Partnership Brings ‘Ink’ To Los Angeles
By: Okla Jones
Essence
1/14/2024
ARTICLES FROM 2022-2023
The Storytellers Who Are Remaking the American Theater
By: Imani Perry
Harper's Bazaar
12/12/2023
The Ever-Expanding Universe of Camille A. Brown
By: Candice Thompson
UNCSA
10/16/2023
Alicia Keys Takes Her Story—And Her Signature Sound—Off-Broadway With Hell’s Kitchen
By: Marley Marius
Vogue
9/12/2023
Camille A. Brown’s Latest Dance Challenge? To Have Fun.
By: Gia Kourlas
The New York Times
10/20/2022
Durham artist’s portrait now permanent feature at Met Opera in NYC
By: Judith Retana
CBS 17
9/14/2022
54 Dance Programs, Festivals and More Coming This Fall
By: Margaret Fuhrer
The New York Times
9/8/2022
The Apollo Theater Announces Fall/Winter 2022 Season Featuring Camille A. Brown, Fat Joe & More
By: Chloe Rabinowitz
Broadway World
8/23/2022
On With the Show
By: Soraya Nadia McDonald
Harper's Bazaar
7/25/2022
Pioneering Camille A. Brown creates a Broadway rainbow
By: Mark Kennedy
Associated Press
5/26/2022
Tony-Nominated Director and Choreographer Camille A. Brown Has Arrived
By: Talaura Harms
Playbill
5/16/2022
CAMILLE A. BROWN MAKES HER BROADWAY DIRECTORIAL DEBUT WITH ‘FOR COLORED GIRLS’
By: Trina Mannino
All Arts
5/11/2022
The 2022 Tony nominations mark a historic shift on Broadway
By: Ruthie Fierberg
Broadway News
5/10/2022
'A Strange Loop' Nominated for 11 Tonys as Broadway Lauds Comeback
By: Michael Paulson
5/9/2022
Broadway revival of ‘for colored girls’ highlights the power of movement and monologue
By: Matthew Allen
The Grio
4/28/2022
Review: The breathtaking beauty of ‘for colored girls’
By: Brittani Samuel
Broadway News
4/21/2022
Review: 'For Colored Girls' Returns, Leading With Joy
By: Laura Collins-Hughes
The New York Times
4/20/2022
FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE/WHEN THE RAINBOW IS ENUF: ENUF, AND MORE
By: David Finkle
New York Stage Review
4/20/2022
Review | Half a century on, ‘for colored girls’ shines again
By: Matt Windman
AMNY
4/20/2022
‘For Colored Girls’: Theater Review
By: Lovia Gyarkye
The Hollywood Reporter
4/20/2022
‘For Colored Girls…’ Review: Broadway Revival of Ntozake Shange’s Riveting Work Reminds Black Women They Are Enough
By: Ayanna Prescod
Variety
4/20/2022
'for colored girls" Returns to Broadway in a Triumphant Revival
By: Helen Shaw
Vulture
4/20/2022
‘for colored girls who have considered suicide/when the rainbow is enuf’ Broadway Review: Ntozake Shange’s Groundbreaking Choreopoem Breathes Again
By: Greg Evans
Deadline
4/20/2022
Shange’s “for colored girls…” Returns Home after 46 Years, Relevant as Ever, and Still Ahead of its Time
Our Time Press
4/2/2022
The Kennedy Center Next 50
The Kennedy Center
1/21/2022
ARTICLES FROM 2020-2021
Best Dance of 2021
The New York Times
12/22/2021
Camille A. Brown Is On The Move
By: Christopher Browner
Playbill
11/3/2021
How Fire Shut Up in My Bones Brought Step to the Met
The New York Times
10/18/2021
30 Over 30: Dance Pros Who Prove Success Can Happen at Any Age
By: Madeline Schrock
Dance Magazine
10/9/2021
The Metropolitan Opera Ushers in a More Diverse Era"
Scene City
The New York Times
10/1/2021
Metropolitan Opera's Opening Night Performance of Fire Shut Up in My Bones Will Air Live in Times Square and Harlem
By: Ryan McPhee
Playbill
9/16/2021
For The First Time In 65 Years, Camille A. Brown Will Be The First Black Woman To Direct And Choreograph a Broadway Show
By: Jeryl Brunner
Forbes
8/22/2021
Camille A. Brown will direct and choreograph 'for colored girls...' on Boradway
Broadway News
8/16/2021
These Powerful Performers Prove It's Time To End Ageism in Dance
By: Sarah Parker
Observer
7/13/2021
New York City Center Announces 2021-22 Season, Including Encores! Runs of INTO THE WOODS, THE LIFE & THE TAP DANCE KID
By: Nicole Rosky
Broadway World
7/13/21
CAMILLE A. BROWN- A GLIMPSE BEHIND THE CURTAIN Next Up on MTC's Snapshot Series
By: Chloe Rabinowitz
Braodway World
5/10/2021
Broadway Dancers and Choreographers Recall How Jacques D'Amboise Changed Musical Theatre Dance
By: Ruthie Fierberg
Playbill
5/3/2021
Q&A with Camille A. Brown, Founder and Artistic Director of Camille A. Brown & Dancers
By: Karen Campbell
The Christian Science Monitor
4/13/2021
ANGRY, RAUCOUS AND SHAMELESSLY GORGEOUS
Spotlight On Plays
3/30/2021
10 Incredible Women On What Brings Them Strength, Positivity & Hope
net-a-porter
2/1/2021
Camille A. Brown Honored with Distinguished Artist Award by International Society for the Performing Arts & Receives Andrew W. Mellon Award
By: A. A. Cristi
Broadway World
1/15/2021
In the News: Camille A. Brown and Lin-Manuel Miranda Receive Special Honors, More
By: Talaura Harms
Playbill
1/15/2021
Meet the 2020 Dance Magazine Award Honorees
By: Jennifer Stahl
Dance Magazine
12/7/2020
Dance Magazine Award Honoree: Camille A. Brown
By: Eva Yaa Asantewaa
Dance Magazine
12/4/2020
Self-Care as a Revolutionary Act, By Camille A. Brown
By: Camille A. Brown
Black Theatre Commons
11/2/2020
Kamilah Forbes, Camille A. Brown, Keith Josef Adkins and More Join A CALL FOR REVOLUTIONARY THEATRE 2020
By: Chloe Rabinowitz
Broadway World
10/13/2020
Variety to Celebrate Broadway to Watch of 2020
By: Gordon Cox
Variety
9/23/2020
The School Camille A. Brown Built
By: Salamishah Tillet
The New York Times
9/13/2020
Watch Chloe Davis Pay Tribute to Camille A. Brown, Debbie Allen, George Faison, and More Black Choreographers
By: Dan Meyer
Playbill
7/31/2020
Michael R. Jackson, Kenny Leon, Camille A. Brown and More Take Home 2020 Obie Awards!
By: A. A. Cristi
Broadway World
7/14/2020
Camille A. Brown Leads the 2020 Lortel Award Chroeography Noms
By: Michael Mahany
New York City Dance News and Culture
4/22/2020
Camille A. Brown & Dancers in Celebrity Series Debut
By: Susan Saccoccia
The Bay State Banner
3/12/2020
Celebrating Black History Month: Camille A. Brown Honors Three Monumental Black Female Choreographers
By: Michael Appler
Broadway Buzz
2/12/2020
Tony-Nominated Choreographer Camille A. Brown Reflects on Her Approach to Porgy and Bess
By: Christopher Browner
Playbill
1/8/2020
ARTICLES FROM 2018-2019
Best Dance of 2019
By: Ayodele Casel and Arturo O'Farrill
The New York Times
12/6/2019
CAMILLE A. BROWN and DANCERS In "Mr. TOL E. RAncE"
By: Gus Solomons Jr.
Solomons Says
11/12/2019
Camille A. Brown & Dancers' 'Mr. TOL E. RAncE': Dance reflecting hope in the face of adversity
By: Kathryn Boland
Dance Informa
11/10/2019
'For Colored Girls' Is A Choreopoem. What's A Choreopoem?
By: Brian Seibert
The New York Times
11/9/2019
A Politics of Tenderness: Camille A. Brown and Dancers "BLACK GIRL: Linguistic Play"
By: Jasmine Elizabeth Johnson
The Black Scholar
11/7/2019
Keeping Up With Choreographer Camille A. Brown
By: Kristen Tauer
WWD
9/24/2019
Camille A. Brown choreographs Met Opera's 'Porgy & Bess'
By: Zita Allen
Amsterdam News
9/19/2019
Choreographer Camille A. Brown Brought the Dance to 'Choir Boy' and Representation to Broadway
By: Greg Evans
Deadline
6/6/2019
The First Black Woman Choreographer Nominated for a Tony in Over Two Decades: Camille A. Brown
By:Dr. Brittany Chambers
Forbes
6/3/2019
Tony Award Nominee Camille A. Brown Shares Five Musical Numbers that Inspire & Influence Her as a Choreographer
By: Josh Ferri
Broadway Box
5/29/2019
Choreographer Camille A. Brown Reveals How Her Life-Threatening Health Battle Inspired Her Work On 'Choir Boy'
By: Ali Stagnitta
Hollywood Life
5/29/2019
25 Days of Tonys: Choir Boy's Camille A. Brown
By: Ruthie Fierberg
Playbill
5/19/2019
5 Reasons You Must See Toni Stone This Baseball & Theatre Season
Theater Mania
5/2/2019
Camille A. Brown Receives Tony Award Nomination
By: Jackson McHenry
Vulture
4/30/2019
'Ink': Celebration of African-American dance makes its Middle East debut
By: Saeed Saeed
The National
4/25/19
These dancers hope to leave a lasting impression
By: Rachael Perrett
Abu Dhabi World
4/17/19
And still I rise:
Camille A. Brown writes a new narrative of blackness with “ink”
By: Theresa Ruth Howard
FJORD
3/6/19
Dance Work ‘Ink’ Explores Black Life And Black Identity At August Wilson Cultural Center
By: Steve Sucato
Pittsburgh Current
3/5/19
Camille A. Brown & Dancers rewrite the Black narrative with ink
By: Amanda Waltz
Pittsburgh City Paper
3/5/19
Camille A. Brown & Dancers mesmerized audiences and schoolchildren across Southeast Michigan during their January residency.
By: UMS Lobby
University of Michigan
2/14/19
Play Without Words
By: Marina Harss
DanceTabs
2/11/19
Review: Camille A. Brown’s Rousing and Incisive ‘ink’
By: Siobhan Burke
The New York Times
2/6/19
Camille A. Brown's superheroes write their names in "ink"
By: Eva Yaa Asantewaa
InfiniteBody
2/6/19
From Broadway to The Joyce: Camille A. Brown is Leading the Way
By: Kristyn Burtt
Dance Network
1/30/19
Choir Boy– Joyous
By: Sandi Durell
Theater Pizzazz
1/11/19
Choir Boy review. Broadway newcomers in Tarrell Alvin McCraney’s powerful, fresh coming-of-age play
By: Jonathan Mandell
DC Theatre Scene
1/10/19
Watch Oscar Winner Tarell Alvin McCraney and the Company of His Choir Boy Talk Opening Night on Broadway
By: Ruthie Fierberg
PlayBill
1/9/19
Choir Boy
By: Dan Rubins
The Easy
1/9/19
Review: ‘Choir Boy’ vibrates with emotion, moves with lyrical dialogue
By: Elizabeth Bradley
Broadway News
1/8/19
Shinning Stars
By: Riki Altman-Yee
Modern Luxury Miami
1/2019
Camille A. Brown Begins Her Duke Performances Trilogy with a Five-Star Ink
By: Byron Woods
Indy Week
11/16/18
Illuminating the Invisible: An interview with Dancer/Choreographer Camille A. Brown
By: Kamilah Forbes
SDC
10/9/18
Girl Power
By: Cheryl Callon
TheaterJones
8/26/18
Our Five Favorite Things About Jesus Christ Superstar Live
By: Michael Mahany
Dance Network
4/3/2018
NBC’s Jesus Christ Superstar Set a New Standard for Live Musicals
By: Matt Zoller Seitz
Vulture
4/2/18
Even without a resurrection, John Legend rises in NBC’s electrifying Jesus Christ Superstar Live
By: Caroline Siede
TV/AV Club
4/2/18
Jesus, Imma Let You Finish, but Judas Had the Best Performance in Jesus Christ Superstar Live!
By: Danielle Young
The Grapevine
4/2/18
What's the Buzz About NBC's Jesus Christ Superstar Live in Concert?
By: Hayley Levitt
TheaterMania
4/2/18
The big names of NBC's 'Jesus Christ Superstar' were eclipsed
By: Matthew J. Palm
Orlando Sentinel
4/1/18
Camille A. Brown develops vocabulary of meaningful gestures in ‘Ink’
By: Robert Johnson
NJArts.net
2/3/18
Choreographer Camille A. Brown is free to nae nae and bop and juba around the country
By: Soraya Nadia McDonald
The Undefeated
2/2/18
A Storytelling Choreographer Who Listens to Her Audience
By: Brian Seibert
New York Times
1/26/18
Meet the Choreographer Bringing African American Dance to Center Stage
By: Rebecca Milzoff
Departures Magazine
1/9/18
ARTICLES FROM 2015-2017
Camille A. Brown & Dancers BLACK GIRL: Linguistic Play
By: Jo Tomalin
For All Events
12/11/17
‘Black Girl’ at Berkeley full of play and great dance
By: Allan Ulrich
SF Gate
12/11/17
Camille A. Brown & Dancers trip the childhood fantastic
By: Jaime Robles
Repeat Performances
12/9/17
Review: ‘ink’ at The Kennedy Center Eisenhower Theater
By: Lisa Traiger
DC Metro Theater Arts
12/4/17
Dance fights stereotypes
By: Claudia Bauer
San Francisco Chronicle
12/3/17
Camille A. Brown & Dancers: ink
By: Carmel Morgan
Critical Dance
12/2/17
She’s Making This ‘Island’ Authentic
By: Lauren Kay
Theatre Development Fund
12/1/17
Camille A. Brown’s BLACK GIRL: Linguistic Play Has Bay-Area Premiere
By: Lou Fancher
San Francisco Classical Voice
12/1/17
Camille A. Brown & Dancers celebrate Black girlhood, social dance in upcoming performances
By: Katie O’Connor
The Daily Californian
11/27/17
Review: Camille A. Brown & Dancers dazzling at Jacob’s Pillow
By: Ken Ross
Mass Live
8/11/17
Play’s the thing in triumphant ‘BLACK GIRL’ at Jacob’s Pillow
By: Janine Parker
Boston Globe
8/11/17
Camille Brown’s ‘BLACK GIRL Linguistic Play’ at Jacob’s Pillow, dynamic exploration of Black female identity
By: Hannah Van Sickle
The Berkshire Edge
8/10/17
The Mask of Survival: Black Performance in Dance
By: Camille A. Brown
The Offing
7/27/17
The Art and Artistry of Double Dutch
By: Gia Kourlas
New York Times
7/25/17
Dancing to the Beat of a Hard History
By: Vivian Ewing
The Vineyard Gazette
7/20/17
Camille A. Brown Stomps Down Stereotypes in Kirsten Childs’s New Musical
By: Pete Hempstead
Theater Mania
6/24/17
Choreographer Camille Brown explores black women’s identity in two performances
MV Times
7/11/17
Camille Brown’s BLACK GIRL: Linguistic Play Is a Captivating Hour of Dance, Beats, and Chants
By: Katy Koop
Triangle Arts & Entertainment
3/9/17
Camille A. Brown Dance Company performs tonight at the Ford Center
By: Sarah Smith
The Daily Mississippian
3/2/17
Students ‘battle’ in dance
By: R. Michael Semple
Tribune Chronicle
2/27/17
Black history, culture told through dance
By: Hayley Benton
Citizen Times
2/2/17
Choreographer Camille A. Brown: The Body Speaks
By: Latoya Cross
Ebony
11/14/16
Choreographer Camille A. Brown asks: ‘What is so uncomfortable about a black girl playing?’
By: Nim Wunnan
Organ Arts Watch
10/14/16
BWW Dance Review: BLACK GIRL: Linguistic Play
By: Jennifer Fried
BroadwayWorld.com
7/25/16
Review: Mourning in Tap Shoes at Jacob’s Pillow
By: Siobhan Burke
New York Times
7/8/16
Camille A. Brown: A Choreographer Hitting Her Stride
By: Darralynn Hutson
Black Enterprise
5/20/16
Where Hamilton Meets Princess Grace: Prince Albert Honors Stars Leslie Odom Jr. and Camille A. Brown
By: Sara Hammel
People Magazine
4/26/16
How Camille A. Brown Uses Theater to Capture Black Girl Joy
By: Brianna Patterson
The Culture: For Harriet
4/22/16
Jacob’s Pillow Dance to Honor Camille A. Brown
By: Joshua Barone
New York Times
3/22/16
Dance review: ‘Black Girl’ profound and moving
By: Susan L. Pena
Reading Eagle
2/27/16
RACC’s Miller Center Presents Dancer and Choreographer Camille A. Brown
By: BCTV.org
2/23/16
Multistyled Choreographer Camille A. Brown Makes Miami Debut with BLACK GIRL: Linguistic Play
By: Catherine Hollingsworth
Miami New Times
2/19/16
We inspire marginalized young women to express black girlhood
By: Thelma Campbell
Miami Herald
2/18/16
Students Rediscover Roots Through African Dance, Expression
By: Marybel Rodriguez
CBS Miami
2/17/16
Dance work in Miami shows a new vision of African-American girls
By: Jordan Levin
Miami Herald
2/16/16
Aisle View: ‘Honey in the Honeycomb’
By: Steven Suskin
Huffington Post
2/12/16
‘BLACK GIRL: Linguistic Play’ explores why Black lives matter
By: Gillian Jakab
The Michigan Daily
2/11/16
Cabin in the Sky Review: jazzy, corny all-black musical restored at City Center
By: Jonathan Mandell
DC Theaterscene
2/11/16
Camille A. Brown
By: Caryn Cooper
DanceTalks
12/28/15
Unleashing the Rhythms of Childhood
By: Katherine Bergstrom
Point of Contact
10/8/15
Reflecting on the Black girl experience
By: Tony Fraser
Trinidad & Tobago Guardian
9/28/15
Camille A. Brown’s BLACK GIRL: Linguistic Play presented at The Joyce Theater
By: Theresa Ruth Howard
My Body My Image
9/27/15
BWW Review: A Powerful Evening with CAMILLE A. BROWN & DANCERS
By: Caryn Cooper
BWW Dance World
9/25/15
Getting to See Camille A. Brown’s Opening Night at The Joyce
By: Rachel Rizzuto
Dance Teacher
9/24/15
A Mirror in the Sky: Camille A. Brown’s Black Girl: Linguistic Play
By: Aimee Cox
The Feminist Wire
9/23/15
Review: In a New Work, Camille A. Brown Plays with Empowerment
By: Gia Kourlas
New York Times
9/23/15
Black Girlhood Takes Center Stage In A Work That's Serious About 'Play'
By: Neda Ulaby
NPR
9/22/15
A Dance Dedicated to the Lives of Black Girls
By: Lauren Kay
Theatre Development Fund
9/15/15
Camille A. Brown & Dancers: BLACK GIRL
By: Eva Yaa Asantewaa
Time Out NY
9/14/15
ARTICLES FROM 2014 AND BEFORE
One Brave Black Girl
By: Becca Weber
Thinking Dance
12/11/14
Black Girl
By: Nicole Bindler
Thinking Dance
12/11/14
Camille A. Brown Innovates
By: Mariama Ndiaye
The Williams Record
11/12/14
DANCECleveland, collaborator are 2014 Joyce Awards recipients
By: Scott Suttell
Dance Cleveland
1/29/14
‘Mr. TOL E. RAncE’ brings it all
By: Susan Broili
The Herald Sun
7/14/13
Music, story-telling drive look at race and tolerance
By: Susan Broili
The Herald Sun
7/8/13
Camille A. Brown’s Gripping Dance of Racial Stereotypes
By: Nim Wunnan
Oregon Arts Watch
12/8/12
A Dance for Tolerance
By: Jenna Lechner
The Portland Mercury
12/8/12
Finding the Power – IABD
By: Charmaine Warren
Dance Magazine
12/21/09
PHILADANCO’s “New Faces” mixes old and new faces
By: Lewis Whittington
Edge Media Network
4/30/09
Alvin Ailey takes a step back in time
By: Patrick Huguenin
Daily News
5/30/08
Building succcess, step by step
By: Robert Johnson
Star Ledger Entertainment
8/2/07